Nikhil Banerjee

Nikhil Banerjee
Nikhil Banerjee
Born 14 October 1931(1931-10-14)
Origin Kolkata, India
Died 27 January 1986(1986-01-27) (aged 54)
Genres Hindustani classical music
Occupations Composer, Sitarist
Instruments Sitar

Nikhil Ranjan Banerjee (Hindi: निखिल रंजन बैनर्जी) (14 October 1931 – 27 January 1986) was a Hindustani classical musician of the Maihar Gharana who played the stringed instrument sitar.

Contents

Early life and background

Nikhil Banerjee was born on October 14, 1931 in Kolkata into a Brahmin family. His father, Jitendranath Banerjee, was an amateur sitarist and Banerjee was fascinated by his father's playing. Although he wanted to try his hand at an instrument as early as the age of four, he was discouraged by his father and grandfather. At the age of five, however, they relented and he acquired a small sitar, initially learning under his father. Banerjee grew into a child prodigy. He won an All-India sitar competition and became the youngest musician employed by All India Radio at the age of nine. Jitendranath approached Mushtaq Ali Khan to take Nikhil as a disciple, but only learned from this master for a few short weeks. Instead Birendra Kishore Roy Chowdhury, the zamindar of Gouripur in present-day Bangladesh, became responsible for much of his early training.

Around 1946 Nikhil Banerjee met the great khyal singer Amir Khan through the master's teaching of Nikhil Banerjee's sister, and his enthusiasm for his music was reinforced by hearing him in concert a couple of years later.[1] Amir Khan continued to have a significant influence on Banerjee's musical development.

The Maihar Years

In 1947 Banerjee met Ustad Allauddin Khan, who was to become his main guru along with his son, Ali Akbar Khan. Both were sarod players. Banerjee went to Allauddin Khan's concerts and was desperate to have him as his teacher. Allauddin Khan did not want to take on more students, but changed his mind after listening to one of Banerjee's radio broadcasts. Allauddin Khan was Banerjee's main teacher, after he left Maihar he also learned from Ali Akbar Khan, the son of Allaudin Khan, for many years.[2]

The discipline under Ustad Allauddin Khan was legendary. For years, Nikhil's practice would start at four in the morning and, with few breaks, continue to eleven o'clock at night[3]. Among others, Ustad Allauddin Khan also taught his son Ali Akbar Khan, grandson Aashish Khan, and nephew Bahadur Khan on the sarod; Ravi Shankar on the sitar; his daughter, Annapurna Devi, on the surbahar; Pannalal Ghosh on the flute; and Vasant Rai the sarod.

Ustad Allauddin Khan was passing on not only playing technique but the musical knowledge and approach of the Maihar gharana (school); yet there was a definite trend in his teaching to infuse the sitar and sarod with the been-baj aesthetic of the Rudra veena, surbahar and sursringar – long, elaborate alap (unaccompanied improvisation) built on intricate meend work (bending of the note). He was also well known for adjusting his teaching to his particular students' strengths and weaknesses. Consequently, under his teaching, Shankar and Banerjee developed different sitar styles.[2]

Performing career

After Maihar, Banerjee embarked on a concert career that was to take him to all corners of the world and last right up to his death. All through his life he kept taking lessons from Ustad Allauddin Khan and his children, Ustad Ali Akbar and Smt. Annapurna Devi. Perhaps reflecting his early upbringing, he always remained a humble musician, and was content with much less limelight than a player of his stature could have vied for. Even so, in 1968, he was decorated with the Padma Shri, and in 1974 received the prestigious Sangeet Natak Akademi Award.

Nikhil Banerjee frequently toured Europe and the USA, with prominent tabla players including Swapan Chaudhuri and Anindo Chatterjee.

Although he was often resident at the Ali Akbar College of Music in California he taught few pupils on a one-to-one basis, for his stated reason that he did not feel he had adequate time to devote to his students, as he was still learning and performing. He hoped that developing a proper disciple relationship with students would become possible later in his life, but, sadly, his early demise meant it did not happen. Nevertheless, a number of prominent sitarists have been influenced by his teaching and distinctive style.

Banerjee recorded only a handful of recordings during his lifetime but a series of live performance recordings continue to be released posthumously making sure that his musical legacy is preserved for posterity. He did not always enjoy recording within the confines of the studio, though his early studio recordings with EMI India such as Lalit, Purya Kalyan and Malkauns are now considered to be classic renditions of these ragas. The posthumous live albums, many of which were brought out around the turn of the 21st Century by Raga Records in New York, and Chhandadhara of Germany, are widely considered to be the finest documents of his playing. Many of his unpublished concert recordings are available which are testimony to his musical thought.

Nikhil Banerjee was in failing health through the 80s, having survived three heart attacks. On January 27, 1986, on the birthday of his younger daughter, at the relatively young age of 54, Nikhil Banerjee died of a fourth heart attack. At the time of his death, he was a faculty member at the Ali Akbar College of Music in Calcutta. He was posthumously awarded the Padma Bhushan title by the Government of India in the same year as his death.

He is survived by his wife Roma and two daughters. His younger daughter Debdutta/Arya is a model and actress in Kolkata.

Inspiration and Critical acclaim

For Banerjee, music-making was a spiritual rather than a worldly path:

"Indian music is based on spiritualism; that is the first word, you must keep it in your mind. Many people misunderstand and think it's got something to do with religion – no, absolutely no! Nothing to do with religion, but spiritualism – Indian music was practiced and learned to know the Supreme Truth. Mirabai, Thyagaraja from the South, Haridas Swami, Baiju – all these great composers and musicians were wandering saints; they never came into society, nor performed in society."[4]

Nikhil Banerjee is revered for his mastery in both melodic and rhythmic aspects of Indian music. His unique style of sitar playing is considered to have completeness, emotion and depth. His interpretation of ragas was usually traditional, although he is credited with creating at least two new ragas.

Today, he is commonly regarded as one of the greatest sitarists of the 20th century and is often spoken of as being on a level with the other two masters Ravi Shankar and Vilayat Khan.

Partial discography

The following is a summary of some recent CD issues. A more comprehensive discography can be found in the external links.

  • Afternoon Ragas (1970)
  • Live: Misra Kafi (1982)
  • The Hundred-Minute Raga: Purabi Kalyan (live) (1982)
  • Immortal Sitar of Pandit Nikhil Banerjee, Ragas: Purabi Kalyan, Zila-Kafi, Kirwa (1986)
  • Lyrical Sitar (1991)
  • Live at De Kosmos: Amsterdam 1972 (1995)
  • The KPFA Tapes: Berkeley 1968 (1995)
  • Rag Hemant (1995)
  • Le Sitar Du Pandit (1996)
  • Raga Patdeep (1996)
  • Live in Amsterdam 1984 (1997)
  • Genius of Pandit Nikhil (live) (1998)
  • Berkeley 1968 (1998)
  • Live Concert, Vol. 2: India's Maestro of Melody (1999)
  • Pandit Nikhil Banerjee (live) (1999)
  • Total Absorption (2000)
  • Banerjee Live in Munich 1980 (2000)
  • Morning Ragas: Bombay Complete Concert 1965 (live) (2000)
  • Musician's Musician (2001)
  • India's Maestro of Melody: Live Concert, Vol. 5 (2002)
  • Alltime Classic, Vol. 1: Raag Bageshree (live) (2004)

Notes

  1. ^ Music for the Soul, abstract from the souvenir programme for a memorial programme organized by Amir Khan Sangeet Sangstha Rabindra Sadan 1975
  2. ^ a b Interview by Ira Landgarten Page 2, printed in the booklet for The Hundred-Minute Raga: Purabi Kalyan, Raga Records Raga-207)
  3. ^ Interview by Ira Landgarten, printed in the booklet for The Hundred-Minute Raga: Purabi Kalyan, Raga Records Raga-207)
  4. ^ Interview by Ira Landgarten, printed in the booklet for The Hundred-Minute Raga: Purabi Kalyan, Raga Records Raga-207

Banerjee's technique is a phenomenon, faster than cheetahs, more secure than the dollar. But he does not lean on that as most players do. It is there, at the ready, a strength to be called on when needed. It is his gentle playing that is so singular. The ease of it, highlighted by atypical (for Indian music) bits of literal reiteration create a kind of euphoric effect. The result is remarkably individual. One could spot a Banerjee performance on a radio broadcast or tape, a thing of great difficulty among Oriental musicians.

Manomanjari - a variation: some argue it's a blend of Kalavati & Marwa. In a 1979/80 [not verifiable] Calcutta concert [@Kala Mandir], as per the announcement, Mr. Banerjee played two ragas of his own creation - Manomanjari & Chandrakaushiki.

Further reading

  • Swapan Bandyopadhyay: "The Strings Broke Long Ago", Ananda Publishers, Kolkata

External links


Wikimedia Foundation. 2010.

Игры ⚽ Поможем написать курсовую

Look at other dictionaries:

  • Nikhil Banerjee — (bengali: নিখিল ব্যানার্জী, Nikhil Byānārjī; * 14. Oktober 1931 in Kolkata; † 27. Januar 1986 ebenda) war ein indischer Sitarspieler. Mit fünf Jahren begann er Sitar zu spielen. Als Neunjähriger gewann er die All Bengal Sitar Competition.… …   Deutsch Wikipedia

  • Nikhil Banerjee — (en bengalî: নিখিল ব্যানার্জী) est l un des plus grands joueurs de sitar de la seconde moitié du XXe siècle. Il est né le 14 octobre 1931 et mort le 27 janvier 1986. Avec Ravi Shankar, Vasant Rai et Ali Akbar Khan, il a… …   Wikipédia en Français

  • Nikhil — is a Sanskrit word. It is frequently used in Hindi, Marathi, Bengali, and other Sanskrit derived languages. It is a very common name in India. Sanskrit fragmentation of the word yields: Ni (without) + Kh (sky or boundary) + L (agreed or liked).… …   Wikipedia

  • Nikhil — ist ein männlicher Vorname. Herkunft und Bedeutung Indien: gesamt, alles Bekannte Namensträger Nikhil Banerjee (1931 1986), indischer Sitarspieler Nikhil Kanetkar (* 1979), indischer Badmintonspieler Weblinks… …   Deutsch Wikipedia

  • Banerjee — Bandyopadhyay (bengalisch: বন্দ্যোপাধ্যায়, Bandyopādhyāẏ) ist ein bengalischer Familienname. Er taucht auch häufig in der Form Bandopadhyay oder den anglisierenden Kurzformen Banerjee, Banerji Banerjea, Bonnerjea, Bannerjee oder Bannerji auf.… …   Deutsch Wikipedia

  • My Brother… Nikhil — Infobox Film name = My Brother… Nikhil image size = caption = Main character of the film Nikhil director = Onir producer = Sanjay Suri Vicky Tejwani Onir Raj Kaushal writer = Onir (story) Amitabh Varma (dialogue) narrator = starring = Sanjay Suri …   Wikipedia

  • My Brother…Nikhil — My Brother… Nikhil Directed by Onir Produced by Sanjay Suri Vicky Tejwa …   Wikipedia

  • Victor Banerjee — (Bengalisch: ভিক্টর ব্যানার্জী; Hindi: विक्टर बैनर्जी; * 15. Oktober 1946 in Kalkutta) ist ein indischer Schauspieler. Einem breiten Publikum wurde er durch die Rolle des Dr. Aziz in David Leans preisgekrönter Literaturverfilmung Reise nach… …   Deutsch Wikipedia

  • My Brother…Nikhil — My Brother… Nikhil Données clés Titre original My Brother… Nikhil Réalisation Onir Scénario Onir Acteurs principaux Sanjay Suri, Juhi Chawla, Victor Banerjee, Purab Kohli, Lillete Dubey …   Wikipédia en Français

  • Mi hermano Nikhil — Título Mi hermano Mikhil Ficha técnica Dirección Onir Producción Raj Kaushal, Sanjay Suri, Vicky Tejwani …   Wikipedia Español

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”