Ignazio Gardella

Ignazio Gardella

Ignazio Gardella (March 30 1905 in MilanMarch 16 1999) was an Italian architect and designer.

Biography

Born into a family of architects, the first of which was his namesake Ignazio Gardella (senior), he graduated in engineering from the Politecnico di Milano university in 1928 (while he received his degree in architecture from the IUAV in 1949).

In his university years he came into contact with other young protagonists of the Milanese scene together with whom he took part in the creation of the Italian Modern Movement.

Professional activity

His long professional activity, which began before his graduation at the end of the '20s with his father Arnaldo Gardella, produced an enormous quantity of projects and realizations.

The CIAM

In the same years he was a leader of important cultural events, like CIAM (in '52 he founded, with others, the summer session in Venice; in '59 he participated in CIAM X in Otterlo in Holland), or the first INU conferences (starting in '49).

International maestro

The figure of Gardella remained at the vertexes of the "Made in Italy" of architecture for all in the '60s and '70s, with intense professional activity whose importance is proven by his presence in international publications. In the last phase of his life, Gardella, now among the "eminences grises" of Italian architecture, still produced significant projects, like the Faculty of Architecture of Genoa (1975-1989), which brought him once more to the front lines of the architectural debate.

The designer activity

Gardella's activity has had a determining role in the field of design as well, starting as early as 1947, when he founded the "Azucena" Agency with Luigi Caccia Dominioni, the first that inaugurated Italian design production of high quality. Gardella designed primarily decorative furniture objects.

Architecture according to Gardella

If one looks for Ignazio Gardella's style, one is likely to be disoriented. His projects, over the years, changed according to changing architectural tendencies, often anticipating them, but always containing elements that diverged from the current with which they might be associated. Gardella is one of the Italian Rationalists, but his use of local construction techniques, like the famous brick screen of the Dispensario in Alessandria, makes him in some ways a heretic.

In the '50s he came closer to regionalist currents, but his buildings also maintained an abstraction that distanced them from the most famous works of Neoliberty or Neorealism.

In the '60s and '70s he seemed to adhere to a strictly professional form of practice like the Modern Movement or the International Style. His "Uffici Alfa Romeo" (1969) oppsed the use of industrial materials and the development of a complex program. But then again, Gardella strictly controlled the form, imposing a symmetrical composition.

In the '80s he seemed to stick to the Post Modern, but he did not in reality share its principals. Thus he himself said, "It is always difficult to say who are the fathers and who the sons. But Mario Ridolfi and I said, jokingly, that if we were really the fathers of all the works exhibited (at the 1980 Venice Biennale) we would have to admit (...) to having gone to bed with women of every type and every race." (s. Guidarini, 2002).

In reality there are aspects of his work that remain the same throughout his long career and constitute a continuity. These aspects can be synthesized in two completmentary points:

- Gardella's architecture always maintains a composure that could be called 'classic'. This can be deduced from the extreme refinement of his details, which are comparable to those of his contemporary and friend Franco Albini, whether by control of the complete design of a building or because of the design of architectural spaces. In his architecture there is a preoccupation with and emphasis on the immediate, on the style of the moment, and a research for a kind of timelessness.

- Complementing this aspect is his capacity to change registers, to adapt himself to the genius loci (the spirit of a place), as few other architects have succeeded to do. If the almost contemporary "Case Borsalino" in Alessandria are compared with the "Casa alle Zattere" in Venice, one realizes that there is a great difference. The materials have changed, as have the decorative elements and the conception of volume. This is clearly owed to his will to take up influences from the built environment or context.

Works and important projects

From among his first buildings one could note the Antitubercular Dispensary of Alessandria (1934-38) which is one of the masterpieces of rationalist architecture.

Before the War

Before the war he also participated in several important architecture competitions such as:

- 1933-36 Extension of the Villa Borletti in Milan.

- 1934 Progetto di concorso per la torre littoria di Piazza del Duomo a Milan (non realizzato).

- 1934-38 Dispensario Antitubercolare di Alessandria.

- 1944 The Milano-Verde (Green Milan) Plan (with the Casabella group, including Franco Albini, Giuseppe Pagano e Giovanni Romano);

After the War

In the early postwar Gardella took up once more his activity with full vigor, producing many important works and some masterpieces such as:

- 1947-54 Milan Contemporary Art Pavilion (PAC) (which he rebuilt himself – with his son Jacopo Gardella - in 1996 after the attack of 1993).

- 1952 Case "Borsalino" in Alessandria.

- 1953-58 Casa alle Zattere in Venice

- 1958 Mensa Olivetti in Ivrea.

- 1969 Uffici Alfa Romeo in Arese.

- 1969 Project for the theater of Vicenza (not realized).

- 1969-75 "Piano particolareggiato" for the area of San Donato and San Silvestro in Genoa (partially carried out with Silvano Larini, Jacopo Gardella, Daniele Vitale, Giuliano Nardi) .

- 1975-89 Faculty of Architecture of Genoa.

- 1981-90 Teatro Comunale Carlo Felice. in Genoa (with Aldo Rossi, Bruno Reichlin and Angelo Sibilla).

Writings

The publications of Gardella, though they include many articles and projects published in all of the major international reviews, lack theoretical interest. A list of his publications is available at:
* Interview with Ignazio Gardella by Antonio Monestiroli, in "L'architettura secondo Gardella", Bari-Roma, Laterza,1997.

University professor

Gardella also had an important role in education, from his invitation in 1949 by Giuseppe Samonà to be part of the staff of the IUAV. His academic career brought him to the post of "Professore Ordinario" in 1962, which he held until 1975.

Awards

He won many prizes, among which are the: "Premio Nazionale" of Olivetti for Architecture (1955), the 1977 "Medaglia d'oro del Presidente della Repubblica ai benemeriti della Scuola, della Cultura e dell'Arte" (Gold Medal, the "Leone d'Oro alla carriera dalla Biennale di Venezia" (1996), Honorary membership in RIBA (Royal Institute of British Architects), and member of the "Accademia di San Luca" and "socio onorario" of the Accademia di Belle Arti di Brera.

Bibliography

* Alberto Samonà, "Ignazio Gardella e il professionismo italiano", Roma, Officina, 1981c.
* AA. VV. a cura di Marco Porta, "L'architettura di Ignazio Gardella", presentazione di Giulio Carlo Argan; saggio introduttivo di Roberto Gabetti; testimonianze di Franco Purini, ... (e altri), Milano, Etas libri, 1985.
* AA. VV. a cura di Maria Cristina Loi, "Ignazio Gardella. Architetture", Electa, Milano 1998.
* Paolo Zermani, "Ignazio Gardella", Roma-Bari, Laterza, 1991,
* AA. VV. a cura di Franco Buzzi Ceriani, "Ignazio Gardella progetti e architetture 1933-1990", Venezia, Marsilio, 1992.
* Stefano Guidarini, "Ignazio Gardella nell'architettura italiana. Opere 1929-1999", Milano, Skira, 2002.

External links

*
* [http://www.vitruvio.ch/arc/masters/gardella.php pagina monografica del sito Vitruvio]
* [http://housingprototypes.org/project?File_No=ITA019 Casa alle Zattere in Venice] (with drawings)


Wikimedia Foundation. 2010.

Игры ⚽ Поможем решить контрольную работу

Look at other dictionaries:

  • Ignazio Gardella — (* 30. März 1905 in Mailand; † 16. März 1999 in Oleggio) war einer der bedeutendsten und einflussreichsten italienischen Architekten und Designer des 20. Jahrhunderts. Leben Gardella wuchs in einer Architektenfamilie auf und schloss sein… …   Deutsch Wikipedia

  • Gardella — Gardẹlla,   Ignazio, italienischer Architekt, * Mailand 30. 3. 1905, ✝ Oleggio 16. 3. 1999; Vertreter der rationalen Architektur; wendete sich mit seinen eleganten Bauten gegen das monumentale Pathos faschistischer Bauwerke. Gardella… …   Universal-Lexikon

  • Павильон современного искусства (Милан) — Павильон современного искусства (итал. Padiglione di Arte Contemporanea, PAC)  павильон на виа Палестро в Милане, возле Виллы Реале. Построен архитектором Игнацио Гарделла в 1951 1953 гг. по проекту 1949 года. В 1993 году рядом с… …   Википедия

  • Carlo Barabino — Théâtre Carlo Felice de Gênes Carlo Barabino (né à Gênes le 11 février 1768, mort dans la même ville le 3 septembre 1835) est un architecte italien néoclassique, le plus important architecte de l école génoise du XIX …   Wikipédia en Français

  • Carlo Barabino — (* 11. Februar 1768 in Genua; † 3. September 1835 ebenda) war ein italienischer Architekt und Städteplaner. Statue Claudio Barabinos Leben Carlo Barabino zählt zu den wichtigsten und kreativsten Architekten der St …   Deutsch Wikipedia

  • BBPR — Plakette vor dem Kloster San Simpliciano, dem Bürositz von BBPR in Mailand BBPR war die Bezeichnung der im Jahre 1932 gegründeten Architektengruppe. Der Name leitet sich her von den Initialen ihrer Mitglieder: Gian Luigi Banfi (* 1910 Mailand †… …   Deutsch Wikipedia

  • Franco Albini — (* 17. Oktober 1905 in Robbiate, Provinz Lecco; † 1. November 1977 in Mailand) war ein italienischer Architekt und Designer. Inhaltsverzeichnis 1 Leben 1.1 Lehrtätigkeit 2 Bauten …   Deutsch Wikipedia

  • Liste der Biografien/Gar — Biografien: A B C D E F G H I J K L M N O P Q …   Deutsch Wikipedia

  • Schnebli — Dolf Schnebli (* 27. Dezember 1928 in Baden (Aargau)) ist ein Schweizer Architekt. Leben Schnebli studierte Architektur an der ETH Zürich. Nach Wanderjahren und Aufenthalten als Architekt in Paris, Zürich, Mulhouse, Venedig, New York, Boston,… …   Deutsch Wikipedia

  • Bahnhof Milano Lambrate — Milano Lambrate Daten Betriebsart Knotenbahnhof …   Deutsch Wikipedia

Share the article and excerpts

Direct link
Do a right-click on the link above
and select “Copy Link”